We both dread and anticipate those opening scenes when a phone rings and a poor, unsuspecting soul decides to answer and fall into his trap. He speaks the same and acts the same, as creepy twenty-seven years later as he was the first time we heard him. Jackson has been a part of every film, including Scream VI. What keeps Ghostface a singular feeling character like Michael and Jason, however, is the voice. Other big slashers have no mystery, but Scream lives for its shocking killer and motivation reveal in the climax. Ghostface could be anyone, which is always the most fun part of the Scream films. He's not Michael, he's not Jason or Freddy, he's two teens who killed while wearing a costume, whose crimes live on as a sick idea passed down in copycat murder sprees. Ghostface's voice is the connective tissue that links every film and makes Ghostface feel like the continuation of one character.Īs we know, Ghostface is a different person, or persons, in all five movies. In Ghostface you're going to get the same mask and outfit, you're going to get clever kills, but the scariest part is the voice. When you put on a Friday the 13th sequel, you know you're going to see Jason in his hockey mask dispatching of horny campers. It's part of the reason why Halloween Ends received so much criticism, because fans got so little of that. When you go into a Halloween movie, you know you're going to see Michael Myers in his mask slashing people and chasing Laurie Strode. That is exactly why Ghostface is such a popular horror character and why Roger L. Michael is Michael, Jason is Jason, but Ghostface could be absolutely anyone," Jackson said. "That's part of the psychology of Ghostface. This allowed the boogeyman to be a voice, an unseen presence not just for the audience but for those who had rehearsed their lines over and over but who still had some new anxiety to tap into in the moment with this approach. Jackson did that for every phone call, sitting just off set, and never meeting any of the actors. You can imagine Barrymore's fear registering completely different, and most likely less intense, if it was just some assistant on the side reading Ghostface's lines from the script, only for Jackson to dub them in later. It seems minor, but that one little thing made the phone call scenes so much more effective. Only a few villains broke away from that stereotype, most notably the burnt faced Freddy Krueger, who never shut up as he tormented his prey. There was Michael Myers, Jason Voorhees, Leatherface, and a whole host of silent and face-covered madmen. Teens flocked to the theaters to see a plethora of masked killers hack their way through young victims for 90 minutes. Starting in the mid-to-late 70s with Tobe Hooper's The Texas Chain Saw Massacre and especially John Carpenter's Halloween, slashers became a popular craze that overtook cinemas in the 80s. Jackson is to thank for creating that voice, one so iconic that it doesn't need a face to go with it. But then he spoke in a voice so sinister that answering your phone became anxiety inducing after. Then came Ghostface in Scream, a killer clad in a stretched mask and black cloak. The killer is masked, and they don't speak. In the slasher subgenre of horror, two things about some of its most popular villains are true.
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